Lenny Kaye makes a valiant attempt to interview Arthur Lee, while Lee sets the record for saying "trip" the most times in one interview (Jazz & Pop, 1970):
LK: Have you always desired to be put in the role of leader?
AL: Leader? Well, it's like I don't know what you mean by leader. You have to explain what a leader is and I can tell you if I want to be one or if I think I'm on that trip.
LK: Well, how you related to the people in the group. When you sat down at a practice to arrange to do a song, were you the one who used to take the initiative?
AL: Right, I'm the leader. I was the leader.
John Tobler talks to Jerry Hopkins about what it was like to manage Love during their early days (ZigZag, 1973):
The troubles started almost immediately; every time a record company executive came down, someone in the band wouldn't show up – even though we took great pains to explain the importance of their all being there. We were getting nowhere fast; all we were doing was running out of record companies who were getting fed up having their time wasted by unknown groups who didn't even turn up to play.... it was just a waste of time for everybody concerned.
Max Bell reports on yet another new version of Love's 1975 tour of England with George Suranovich back behind the drums and John Sterling on guitar (NME, 1975):
At this Lyceum gig audiences were really on the ball, but the rest of Love's tour lies in tattered shreds – quarter full halls and dance band status allegations. Apparently as some kind of snub to their record company, they only did one genuinely new number, the Curtis flavoured "Who Are You," Lee hitting exact high notes; a voice of our time, his, and in perfect trim. There's a tremendous presence too, making it virtually impossible to shift one's gaze.
Jon Savage digs Rhino's 2001 Forever Changes reissue (Mojo, 2001):
Nearly 34 years after its recording, Forever Changes remains a key, perhaps the key '60s album: a perfect fusion of form and function that both defines and elegantly steps out of its time. Its ambition and scope make it representative of the principal cultural and perceptual challenge of the hippie period (Does life have to be like this?) that remains powerful because it has never been adequately addressed.
Paul Lester talks to Arthur Lee about putting his life back together after getting out of prison (The Guardian, 2002):
Now he just wants to get on with his life. "I don't intend to get into any trouble. Breaking any law is the furthest thing from my mind." Suddenly, he brightens. "Speaking of that, do you know where I can get some weed?"